When we decided to do a road trip from Madrid, Spain to the coast of Portugal last year, we decided to find a city or a town to stay overnight on the way, rather than drive the 600 km (372 miles) or so in one day.
The names of towns and cities along the three different routes that GoogleMaps suggested for us didn’t tell me much, so I turned to guidebooks of Spain from Lonely Planet, Frommer’s, and to TripAdvisor reviews.
In the end, I’ve decided we should stop in Mérida, a place I’d never heard of before, because every guidebook I looked at suggested visiting the city’s Roman ruins, and we like ancient stuff like that.
We arrived in Mérida on a Friday afternoon and went sightseeing on Saturday. Given all the historical attractions in Mérida, I was really surprised by the low number of tourists we saw.
Clearly Mérida is not as popular as it was during the Roman times, which is really too bad.
MORE(takes you to our self-hosted site, which looks a tiny bit different)
When my husband suggested we go across the street to the V&A after we left the Natural History Museum in London, I honesty hesitated, wondering whether it’s a good idea to take the kids to a museum about Queen Victoria and Prince Albert.
Yes. That is correct. I really thought the Victoria and Albert Museum is ABOUT Victoria and Albert, and thought it would be better to go to the Science Museum instead.
It’s the vacation week, and since I have time off as well, I’ve decided to take my eight-year-old daughter to a few local museums, starting with the Museum of Fine Arts.
She’d seen it several months ago when my friend and I took her to see the “Think Pink” exhibit. She liked the “Pink Room,” and spent quite a bit of time looking at the pink dresses, shoes, suits, and doll clothes, but didn’t care too much for paintings and other collections.
This time it was just me and my daughter, going with another girl, who supposedly really liked the Egyptian area, especially the mummies.
If you are not going to visit the Harvard Art Museums for a while, or at all, because Cambridge, Massachusetts way off your itinerary route, and you like to read about art, read on.
Last week I posted close up photos of a few details from five paintings at Harvard Art Museums that I found interesting. Some of them would be hard to miss as they are quite prominent in the painting, some might take some looking for, since they are just a small part of the overall piece.
The blobs of paint on the easel in Nicolas Régnier’s “Self-Portrait with an Easel” are hard to miss because the easel is positioned right in the center of the paining and is quite prominent, though it would not be the first thing you’ll look at, I bet.
What captivated me in Nicolas Régnier’s “Self-Portrait with an Easel,” painted around 1620s was… well…. how pasty pale he is. 😉
You may have heard that Sunday, November 16, 2014 is the Opening Celebration at Harvard Art Museums, which is reopening after a long renovation that started with the closing of Harvard’s Fogg and Busch-Reisinger museums in June 2008, and the Sackler Museum in June 2013.
Now, collections from all three museums are housed under one roof in the completely renovated and expanded site of the former Fogg Museum designed by Renzo Piano, renowned architect who also designed the post-modern The Centre Pompidou in Paris and the expansion of the Isabella Stewart Gardner Museum in Boston.
Even though the official opening is on Sunday, two days away, Harvard Art Museums had opened its doors to Harvard affiliates earlier today and of course I simply could not miss the chance to go see it.
I admit, if it weren’t for the M.C. Escher exhibit, I’d probably never think of going to the Currier Museum of Art, in Manchester, New Hampshire. Which means I’d miss out on a fun, inspiring, and educational afternoon.
[T]he Currier, considered to be one of the best small art museums in the US, is better known among curators and art historians in Paris and New York than it is in its own region. Both the Louvre and the Metropolitan have borrowed artwork from the compact gallery, which has as its motto, “One masterpiece is more to be desired than a roomful of run-of-the-mill paintings.”